When your music is placed through our network, your earnings are cleanly split into two entirely separate financial streams. This structural division ensures that your upfront platform cuts and your backend performance royalties are delivered directly and securely.
The Two Revenue Streams
1. Your That Pitch "Bank" Dashboard
This dashboard tracks and distributes all upfront sync fees, subscription pool payouts, and automated digital asset monetization (such as YouTube Content ID revenue).
What is included: Earnings distributed by platform partners like Wavmaker, Feed.fm, and our wider network of micro-sync libraries are funneled directly into this account.
Payment Cadence: Each external library operates on its own reporting cadence—some pay monthly, some quarterly, and others annually. The moment a partner library clears a payment block to That Pitch, our system routes it directly to your digital wallet—typically within 24 to 48 hours (on standard business days).
How to Access: Click on the Gear Icon in the top right corner of your dashboard (Settings), click "Manage Account", and then select the "Bank" tab.
2. Your Performance Rights Organization (PRO)
This stream handles all backend performance royalties generated when your music is publicly broadcast on television networks, in streaming films, across social platforms, or via digital radio.
What is included: Performance-based distributions are never collected, handled, or touched by That Pitch. They are calculated, tracked, and paid out exclusively and directly by your assigned PRO (such as ASCAP, BMI, PRS, etc.) using your legal Writer Profile and IPI number.
Payment Cadence: Distributed entirely on your specific PRO's custom fiscal schedule, which is typically distributed on a lagging quarterly basis.
Why Are PRO Royalties Distributed Separately?
Because performance royalties are a distinct legal tier of music copyright, they follow a highly regulated global reporting process that operates completely outside of our dashboard platform:
Global Broadcast Tracking: Television networks, streaming sites, and international broadcasters must process massive logs of cue sheets and usage data. Compiling and auditing this raw data takes months for a PRO to index accurately.
International Reciprocal Transfers: If your track is licensed via a partner library and played in another country (e.g., an overseas broadcast via Feed.fm or an international ad spot), the local country’s collective management society must collect those funds first, transfer them to your home country's PRO, and only then will they land in your direct payout.
Simple version: Upfront license fees, platform cuts, and Content ID revenue from our library network always stream directly into your That Pitch Bank Dashboard. Backend performance royalties are legally separate and will always be sent directly to you by your PRO.